{"id":3148,"date":"2017-01-22T11:16:58","date_gmt":"2017-01-22T10:16:58","guid":{"rendered":"http:\/\/musark.no\/\/publikasjoner\/"},"modified":"2023-12-14T13:18:13","modified_gmt":"2023-12-14T12:18:13","slug":"publikasjoner","status":"publish","type":"page","link":"https:\/\/musark.no\/no\/publikasjoner\/","title":{"rendered":"Publikasjoner"},"content":{"rendered":"\n\n\t\t\tAnmeldelser<\/a>\t\t\t

\n\t\t\t\tHva slags verdi har skillingsvisa i dag?<\/a>\t\t\t<\/h3>\n

<\/a>Edda 109\/3: 216-219 (2022)<\/strong><\/p>\n

Review of Siv G\u00f8ril Brandtz\u00e6g og Bjarne Markussen (eds.): Arven fra skillingsvisene. Fra en sal p\u00e5 hospitalet til en sofa fra IKEA (Oslo: Scandinavian Academic Press, 2021). Norsk tekst<\/p>\nLes artikkelen (open access)<\/a>\n\t\t\tArtikler og bokkapitler<\/a>\t\t\t

\n\t\t\t\tImpressions from the Shimao Site and the Ancient Jew’s Harps Found There<\/a>\t\t\t<\/h3>\n

<\/a>Gjermund Kolltveit, \u00c1ron Szil\u00e1gy og Leo Tadagawa. Journal of the International Jew’s Harp Society 7: 102-105 (2022)<\/strong><\/p>\n

Abstract: In September 2019 the authors participated in the International Symposium on the Jew’s Harp –\u00a0New Discovery of the Archaeological Site in Shimao Huangchengtai, which took place in\u00a0Shenmu, in the Chinese province Shaanxi. One part was purely archaeological, while one part was\u00a0devoted exclusively to jew’s harps, because more than twenty jew’s harps were\u00a0found during the excavations of the site in 2016 and 2017.<\/p>\n\t\t\tAndre publikasjoner<\/a>\t\t\t

\n\t\t\t\tEr sangen som politisk v\u00e5pen d\u00f8d?<\/a>\t\t\t<\/h3>\n

Kontekst (2022)<\/strong><\/p>\n

Redigert, forkortet og oppdatert versjon av siste kapittel i boka Sang som v\u00e5pen<\/em>.<\/p>\nRead online (open access)<\/a>\n\t\t\tArtikler og bokkapitler<\/a>\t\t\t

\n\t\t\t\tThe Sutton Hoo lyre and the music of the Silk Road: a new find of the fourth century AD reveals the Germanic lyre’s missing eastern connections<\/a>\t\t\t<\/h3>\n

Antiquity 96\/385: 208-212 (2022)<\/strong><\/p>\n

Abstract: A recent re-examination of finds from Soviet-era excavations in Dzhetyasar, Kazakhstan, has identified the remains of two wooden objects as stringed instruments. Dating to the fourth century AD, one bears a strikingly close resemblance to lyre finds from Western Europe, including the instrument from Mound 1 at Sutton Hoo: the Sutton Hoo lyre.<\/p>\n

Publisert online (OA) 15. desember 2021.<\/p>\nLes artikkelen (open access)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\tArtikler og bokkapitler<\/a>\t\t\t

\n\t\t\t\tDen forbudte sangen<\/a>\t\t\t<\/h3>\n

<\/a>Anna Granqvist og Gjermund Kolltveit. Korbladet 3\/2021: 16-20<\/strong><\/p>\n\t\t\tB\u00f8ker<\/a>\t\t\t

\n\t\t\t\tSang som v\u00e5pen. Historier om sangens slagkraft<\/a>\t\t\t<\/h3>\n

Ford Forlag (2021)<\/strong><\/p>\n

This book,\u00a0Sang som v\u00e5pen\u00a0(Singing as Weaponry), tells about group singing as an important social and political force in the large popular movements, in the folk singing revival movement, in protest singing, battle cries and among singing football supporters who carry on and renew engaged, powerful singing with commitment, strength and direction. This is the book about the unifying and community-building strengths of singing. <\/p>\n

215 pages, Norwegian text.<\/p>\nThe book at Ford Forlag<\/a>\nContents and Introduction (Norwegian, pdf, 800 Kb)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\tAnmeldelser<\/a>\t\t\t

\n\t\t\t\tAnmeldelser for Folkemusikk.no<\/a>\t\t\t<\/h3>\n

Folkemusikk (trykt) og folkemusikk.no (2015-2021)<\/strong><\/p>\n

Anmeldelser av b\u00f8ker og plater for Folkemusikk (trykt versjon) and Folkemusikk.no, 2015-2019: Mari Skeie Ljones: Spring du fela<\/em>, Grove horn: Rallarpop<\/em>, Rim: Rim<\/em>, Anders Nils J. Eira: Doalli<\/em>, Maar: Epleslang<\/em>, Boreas: Ahoy hoy<\/em>, Tor Jonsson Orkester: Einseto<\/em>, Sigrid Kjetilsdotter Jore: Brurehesten<\/em>, Lars-Ingar Meyer Fjeld: Hardingfele<\/em>, P\u00e5l Brat\u00e5s: P\u00e5l Brat\u00e5s m\/ gjester<\/em>, Ingvild Bl\u00e6sterdalen Trio: Stayer<\/em>, Lars-\u00c1nte Kuhmunen: Riihmag\u00e1llis\/A Legend<\/em>, Duo Fjerding\u00f8y & Andersson: Jag levde den tiden<\/em>, Haldor R\u00f8yne: Sl\u00e5tter etter bestefar<\/em>, Ragnhild Furholt trio: V\u00e5revinden<\/em>, Gro Kjelleberg Solli: Stien eg fann<\/em>, Jo Einar Jansen: Naken<\/em>, Knut Hamre: Sl\u00e5ttar fr\u00e5 Granvin [book and 4 CDs], Anne Tone Aanby (ed.): Spelemannen og sl\u00e5ttemusikken i \u00c5mli<\/em> [book], Svartevja: Svartevja<\/em>, Trygve K. V\u00e5gen: P\u00e5 M\u00f8sstrond<\/em>, Dag V\u00e5rdal: Samv\u00e6rsdansen i Christiania p\u00e5 1800-tallet<\/em>. Dans og musikk [book and 3 CDs], Sp\u00f6ket i k\u00f6ket: Chateau du Garage<\/em>, Trio Dhoore: August<\/em>, Frode Barth and Ellen A. Oskal: \u00c1rbi<\/em>, Johan Sara jr.: Electronic Yoik<\/em>, Marja Mortensson og Daniel Herskedal med Trondheimsolistenes strykekvartett: L\u00e5\u00e5je\/Dawn<\/em>, Erling Eriksen: Erling Eriksen<\/em> volum 1-6, diverse artister: Rosita. Harald Haug – Portrett av ein bygdemusikar<\/em>, Per \u00c5smund Omholt: Vara ungkar og g\u00e5 fri<\/em>, Sigrid Stubsveen: En skulle levd f\u00f8r og en skulle levd n\u00e5<\/em>.<\/p>\nAnmeldelser p\u00e5 folkemusikk.no<\/a>\n\t\t\tArtikler og bokkapitler<\/a>\t\t\t

\n\t\t\t\tNye bevegelser i norsk folkemusikk<\/a>\t\t\t<\/h3>\n

Folk och musik (2019)<\/strong><\/p>\n

Artikkelen beskriver og diskuterer noen hovedlinjer og tendenser i folkemusikken og de rammene musikken og musikerne opererer under, i dagens Norge. Bevegelsene – blant annet utdanning, profesjonalisering, perfeksjonisme, samspill, komponering – peker i flere retninger, men henger samtidig sammen og p\u00e5virker hverandre.<\/p>\n

Artikkelen er publisert online.<\/p>\nLes artikkelen (open access)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\tB\u00f8ker<\/a>\t\t\t

\n\t\t\t\tThe Archaeology of Sound, Acoustics and Music: Studies in Honour of Cajsa S. Lund<\/a>\t\t\t<\/h3>\n

<\/a>Gjermund Kolltveit and Riitta Rainio (eds.). Publications of the ICTM Study Group on Music Archaeology, Vol. 3. Ekho Verlag, Berlin (2020)<\/strong><\/p>\n

Denne boka er resultatet av et internasjonalt symposium til \u00e6re for Cajsa S. Lund i 2016 p\u00e5 Institutionen f\u00f6r musik och bild ved Linn\u00e9universitetet i V\u00e4xj\u00f6. Symposiet ble organisert av musikkarkeologene Gjermund Kolltveit (Oslo) og Riitta Rainio (Helsinki), med Cornelius Holtorf og Karin Hallgren som lokale representanter ved Linn\u00e9universitetet. Det ble finansiert av Vetenskapsr\u00e5det, Nordisk Kulturfond og Musik i Syd. Boka er redigert av Gjermund Kolltveit og Riitta Rainio, og utgitt i Berlin av Ekho Verlag. Bidragsytere er Cornelius Holtorf, Iain Morley, Catherine Homo-Lechner, Emiliano Li Castro, Rupert Till, Frances Gill, Annemies Tamboer, Graeme Lawson, Stefan Hagel, Timo Leisi\u00f6, Anders S\u00f6derberg, Dorota Pop\u0142awska, Andrzej Janowski, Stanis\u0142aw Mazurek, Simon Wyatt, Raquel Jim\u00e9nez Pasalodos, Riitta Rainio, John Purser, Joachim Schween og Cajsa S. Lund.<\/p>\nBoka p\u00e5 Ekho Verlag<\/a>\nContents og Introduction (pdf)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\tArtikler og bokkapitler<\/a>\t\t\t

\n\t\t\t\tA Scandinavian view on Music Archaeology: Research, Directions, Methodology, and Materials<\/a>\t\t\t<\/h3>\n

<\/a>Arxeolog\u00efyal\u0131q qazba jum\u0131star\u0131nan tab\u0131l\u011fan k\u00f6ne mwz\u0131kal\u0131q aspaptar: j\u00efnalw j\u00e4ne zerttelw m\u00e4seleleri [Ancient Musical Instruments found in Archaeological Excavations: Problems of Collection and Research]: 79-85, 207 (figurer). Almaty: Museum of folk musical instruments named after Ykhlas (2019)<\/strong><\/p>\n

Abstract: Music archaeology is well known in Scandinavia among archaeologists and musicologists. Still, this interdisciplinary field of research is a fairly marginal subject, and there is no chair in music archaeology at any university, neither in Scandinavia nor elsewhere. This paper describes the characteristics of music archaeology, especially its Scandinavian version, including its aims, directions and methods, and exemplifies some of the relevant artefacts. It also discusses terminology, such as the use of ‘sound tools’ instead of ‘musical instrument’.<\/p>\n

Engelsk text. Trykt i kasakhisk tidsskrift. Keywords: Music archaeology, archaeomusicology, archaeoacoustics, Scandinavia, musical instruments, sound tools, methodology<\/p>\nLes artikkelen (pdf, 7,6 MB)<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t